Famed Hollywood actress Jennifer Lawrence returns to the screen with her Hunger Games director Francis Lawrence in one of the harder to follow dramas of recent past.
Lawrence plays Dominika Egorova, a ballerina dancer who suffers a terrible injury that puts her and her mother’s fate in jeopardy. As a last resort, Dominika is enlisted in Sparrow school, a Russian intelligence organization that trains individuals to use their bodies as weapons against enemies of the state. After completing her grueling training process, Dominika is assigned to extract information from a CIA agent named Nate Nash (Joel Edgerton). But when he convinces Dominika that he’s the only true person she can trust, she begins to question her allegiances to Russia.
Red Sparrow contains an abundance of sexually explicit content that will certainly shock viewers, as I believe gratuity was the intention. I also believe it was well meaning, serving the general themes of sexual servitude and what it means to give yourself away. I thought this was a vastly interesting concept to dive into, especially given the strong performance of Jennifer Lawrence and the unique storyline.
And for the first hour or so, they do a lot with these ideas. The pacing is fast and keeps the audience on its toes, and we learn much about our protagonist and the horrifying things she’s put through by Russian Intelligence.
But slowly and surely the plot of Red Sparrow starts to meander about, and more or less turns into your run-of-the-mill spy movie. Complete with too many characters overstuffed into the story, tediously predictable scenes, and generally just too many things going on to stay focused.
This detrimentally harms the messages and themes of the film, which are stretched so thin by the elongated plot that it all becomes quite skewed and confusing. When the film finally ends you can’t remember what it was all about in the first place. The motives of our protagonist and the moral messages/takeaways are so ever-changing that I can’t confidently state what Red Sparrow was trying to convey. Is it a film on sexual servitude, current political corruption and ideals, or just a dramatic spy movie overindulging in offensive gratuity? Maybe it’s none of those things, or maybe it’s not, I think the audience deserves to know.
The Verdict: C+